American Cinema of the 1990s: Themes and Variations (Screen


With the U.S. financial system booming below President invoice Clinton and the chilly conflict eventually over, many american citizens skilled peace and prosperity within the nineties. electronic applied sciences received reputation, with approximately 1000000000 humans on-line via the tip of the last decade. The movie puzzled what the influence on cinema may be.The essays in American Cinema of the Nineteen Nineties research the big-budget blockbusters and seriously acclaimed autonomous movies that outlined the last decade. The 1990s' most well liked style, motion, channeled anxieties approximately international threats akin to AIDS and international terrorist assaults into escapist leisure videos. Horror motion pictures and thrillers have been at the upward thrust, yet family-friendly photographs and feel-good romances netted vast audiences too. in the meantime, self sustaining movies captured hearts, engaged minds, and invaded Hollywood: by means of decade's finish each studio boasted its personal "art film" associate.

Show description

Read or Download American Cinema of the 1990s: Themes and Variations (Screen Decades: American Culture/American Cinema) PDF

Best culture books

Subcultures: Cultural Histories and Social Practice

This publication offers a cultural background of subcultures, protecting a awesome diversity of subcultural types and practices. It starts with London’s ‘Elizabethan underworld’, taking the rogue and vagabond as subcultural prototypes: the foundation for Marx’s later view of subcultures because the lumpenproletariat, and Henry Mayhew’s view of subcultures as ‘those that won't work’. Subcultures are regularly not directly non-conforming or dissenting. they're social - with their very own shared conventions, values, rituals, and so forth – yet they could additionally look ‘immersed’ or self-absorbed. This e-book identifies six key ways that subcultures have quite often been understood:
* via their frequently detrimental relation to paintings: idle, parasitical, hedonistic, legal
* their damaging or ambivalent relation to category
* their organization with territory - the ‘street’, the ‘hood’, the membership - instead of estate
* their circulation clear of domestic into non-domestic varieties of ‘belonging’
* their ties to extra and exaggeration (as against restraint and moderation)
* their refusal of the banalities of standard lifestyles and particularly, of massification.

Subcultures appears on the manner those beneficial properties locate expression throughout many alternative subcultural teams: from the Ranters to the insurrection grrrls, from taxi dancers to pull queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to electronic pirates and digital groups. It argues that subcultural identification is basically a question of narrative and narration, because of this its concentration is literary in addition to sociological. It additionally argues for the assumption of a subcultural geography: that subcultures inhabit areas particularly methods, their funding in them being as a lot imaginary as genuine and, every now and then, strikingly utopian.

Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern

Blithely flinging apart the Victorian manners that saved her disapproving mom corseted, the hot girl of the Twenties puffed cigarettes, snuck gin, hiked her hemlines, danced the Charleston, and necked in roadsters. extra vital, she earned her personal retain, managed her personal future, and secured liberties that glossy girls take with no consideration.

Rapid Eye 3: From Wasteland to Utopia

Fast EYE used to be the seminal British counter-culture magazine based in 1979 by means of journalist Simon Dwyer. Dwyer's vintage swift EYE articles at the moment are issued in 3 certain publication variations. quantity three contains in-depth characteristic interviews with the best British artists Gilbert & George, and visionary film-maker the past due Derek Jarman.

Additional info for American Cinema of the 1990s: Themes and Variations (Screen Decades: American Culture/American Cinema)

Sample text

In 1990, the Italian-owned communications company Pathé bought MGM/UA. In 1992, Pathé lost control to the Crédit Lyonnais. Crédit Lyonnais renamed the studio MetroGoldwyn-Mayer (Allen 38). 7. For an engaging and informative read about how a low-budget movie gets produced, see Vachon and Edelman. 8. Although no one knows exactly how many festivals there were by the end of the decade, “it’s possible that an outlandish-sounding New York Times estimate of more than a thousand fests around the world might not be as wild as it seems” (Turan, Sundance 2).

From 1995 on, CGI features like Toy Story became tremendously popular. Tom Cruise was the decade’s biggest box office draw, scoring in A Few Good Men (1992), The Firm (1993), Mission: Impossible, and Jerry Maguire (both 1996). Together with Tom Hanks (whose variations on the boy-nextdoor many found adorable), Cruise was one of the decade’s most dependable male stars. Many of today’s superstars made their first $100 million movie in the 1990s, among them Sean Connery, Bruce Willis, Matt Damon, Nicolas Cage, and Leonardo DiCaprio.

Zany comedian Mike Myers imitated and broke action rules in Austin Powers: International Man of Mystery (1997) and Austin Powers: The Spy Who 16 CHRIS HOLMLUND Edward Lewis (Richard Gere) finds beautiful prostitute Vivian Ward (Julia Roberts) to be the perfect escort in Pretty Woman (Garry Marshall, Buena Vista Pictures, 1990). Digital frame enlargement. Shagged Me (1999). ) Thanks to the success of their action films, producers like Joel Silver, Jon Peter, Don Simpson, and Jerry Bruckheimer became immensely powerful in Hollywood.

Download PDF sample

Rated 4.26 of 5 – based on 30 votes